Trudeau's Other Children

Collaborateurs : Fernando, Rohan | Martin, Kent | Office national du film du Canada

Musicians Vineet Vyas, Mei Han and Asif Illyas are part of one of the greatest social experiments the world has seen: multiculturalism. Nearly 40 years ago, under the eye of visionary prime minister Pierre Trudeau, Canada began turning itself into the world's first truly multicultural state--a place where people from all nations could be at home. But the genesis for Trudeau's idea came decades earlier, when he was a young man travelling through the chaos of the post-war Middle East and Asia. Vineet Vyas is a renowned tabla player who splits his time between Canada and India. An accomplished traditional musician, zheng player Mei Han is also an audacious innovator and improviser. And Asif Illyas--born in Sri Lanka, raised in England, and living in Halifax--is frontman for boundary-breaking contemporary pop band Mir. In Trudeau's Other Children, award-winning filmmaker Rohan Fernando places the stories of Mei, Vineet and Asif in juxtaposition with archival footage and excerpts from Trudeau's journals. The result offers unique insights into the origins and practice of Canada's multicultural policy--and a film as powerful, layered and subtle as the best of their music.


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Between : Living in the Hyphen

In Canada, diversity often means "one ethnicity + hyphen + Canadian," but what if you don't fit into an easy category? What if your background is a hybrid of ancestries and you live somewhere between, where cultural identities overlap? Between interweaves the experiences of a group of Canadians with one parent from a European background and one from a visible minority. They're all struggling to find a satisfying frame of reference. Cultural identity, it seems, is more complex than what our multicultural utopia implies. Seven individuals share stories of being multi-ethnic in a world that wants to put each person into a single category. Among them are award-winning poet Fred Wah, who recalls being told by his elementary teacher that he was Chinese, even though his background also includes Irish, Scottish and Swedish ancestry. When visiting China, however, he finds that he is not accepted as Chinese because he is mixed. Shannon Waters, who is half-Coast Salish, is questioned for participating in the First Nations Family Practice program. Although she chooses to identify with her Indigenous ancestry, her connection with that background is challenged because of her appearance. The thought-provoking experiences of these Canadians come to life against an innovative visual landscape and soundscape. Filmmaker Anne Marie Nakagawa, drawing on her work as a multimedia artist, creates a stylistic documentary that plays with form. As globalization increasingly blurs borders, Between offers a provocative glimpse of what the future holds: a movement away from hyphens and "pure" bloodlines, towards a celebration of fluidity, hybridity and being mixed.

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