A Drummer's Dream

Voici un rassemblement exceptionnel des plus grands batteurs de la planète. Le talent explosif, la passion, l'humour et des personnalités irrésistibles sont au rendez-vous dans un cadre magique, où sept batteurs de différents horizons et quarante étudiants nous offrent une expérience profonde et inoubliable. Mettant en vedette Dennis Chambers, Kenwood Dennard, Horacio « El-Negro » Hernandez, Giovanni Hidalgo, Mike Mangini et Raul Rekow et Nasyr Abdul Al-Khabyyr, le film nous fait découvrir une grande diversité de styles musicaux. Ces spécialistes du rock, du jazz, du latino fusion ou du soul ont accompagné des gens comme Miles Davis, Dizzy Gillespie et Carlos Santana. Ils font maintenant équipe entre eux. À la fin du film, on se retrouve à battre la mesure des rythmes intérieurs que chacun porte en soi, et cette énergie positive nous habite durant des jours.

Men of the Deeps is a moving portrait of a group of former Cape Breton miners gathered together by their love of song. They are all members of the Men of the Deeps chorus, whose performances of traditional and contemporary songs evoke their working lives as miners. The film shows Cape Breton as a land of astounding physical beauty: mountains dropping away dramatically into the ocean; stunning, luminous skies; rivers cutting their way through lush green valleys. Many of the men began working in the mines as teenagers, and this is the land they left behind every working day. We see them, coal dust filling the grooves on their faces, working side by side in a black pit where death can come at any time. It's a job to which most of the miners would return without a moment's hesitation. Featuring 16 outstanding songs, Men of the Deeps captures the grace and dignity of a group of men whose livelihood has been lost but who use their voices to inspire and uplift.

It was news that shook the English-speaking world. Celebrated British explorer Sir John Franklin and his crew of 128 men had perished in the Arctic ice during an ill-fated attempt to discover the Northwest Passage. More shocking, they had descended into madness and cannibalism. The report came in 1851, from John Rae, a Scottish doctor working for the Hudson's Bay Company. Travelling thousands of miles on foot and in small craft, Rae had done what six years of searching by the British, Americans, French and Russians had failed to do - discover the fate of Franklin and unlock the final link in the Passage - a 300-year-old dream. But Rae's horrific news did not sit well with Sir John's widow, Lady Franklin, nor with many others in British society, including Charles Dickens. They waged a bitter public campaign that would discredit Rae's version of events, banish him to the margins of history and mark an entire nation of northern Inuit with the horrifying label of murderous cannibals. With Passage, filmmaker John Walker employs an innovative approach to structuring the incredible multilayered story of John Rae and brings it to vibrant life. Using a unique blend of dramatic action, and behind-the-scenes documentary footage, Walker pulls back the curtain on his own research into Rae's life and that of his actors, as they determine how to portray the characters and scenes in the film. The line between real and dramatic begins to blur as we move closer and closer to the film's cilimax, a stunning face-to-face meeting between Charles Dickens's great-great grandson and Tagak Curley, an honoured Inuit statesman who challenges the fraudulent history. In one moment, Walker vaults the story from the past into the present and we are witness to history in the making. Set in the actual locations of Rae's journey, from his boyhood home in the remote Orkney Islands off Scotland's north coast to the epic landscape of his Arctic expeditions to the boardroom of the British Royal Navy - the centre of power of the British Empire, Passage is a story of incredible sacrifice, stunning distortion of the truth and single-minded obsession. It challenges the way we look at history.