The Northern Lights

The Spirit Within looks at Native spirituality programs which have been set up in western Canadian federal penal institutions and in some provincial institutions. The programs which are led by Native elders and assisted by liaison officers, include workshops and ceremonies which help to put the Native prison inmate back in touch with himself, his culture and his spirituality. The film deals with the impact of the programs and in particular that of the sweat lodge. The Spirit Within also serves as an introduction to the kind of life faced by Native inmates. (Awards: Oklahoma City; Oakland; Minneapolis.)

The Peace-Athabasca River Delta is a stunning habitat. Rivers converge in a rich, marshy wetland before draining into the Slave River. But the Delta is in trouble. Since the building of the WAC Bennett Dam in 1967, annual floodwaters--once the ecosystem's lifeblood--have become a thing of the past. The Delta is drying up, and lakes and wetlands are being replaced by brush. Species like the muskrat are disappearing. Footprints in the Delta explores the changes that have buffeted the region for several decades. Scientists, activists and Aboriginal people describe how lives have been fundamentally altered by the changes. And satellite images show the dramatic pace of degradation. Footprints in the Delta is essential viewing for anyone who cares about wetlands. It is a revealing account of the rapid change and environmental havoc humans can bring to a delicate ecosystem.

In 1929, the Haisla people of northwestern British Columbia returned from a fishing trip to find a 9-metre-high totem pole, known as the G'psgolox pole, severed at the base and removed from their village. The fate of the 19th-century pole remained unknown to the Haisla for over sixty years. Director Gil Cardinal reveals the Haisla's 1991 discovery of the pole in a Stockholm museum, where it is considered state property by the Swedish government. From the lush rainforest near Kitamaat Village, BC, to the National Museum of Ethnography in Sweden, the documentary traces the fascinating journey of the Haisla to reclaim the traditional mortuary pole. Bringing to light a powerful story of cultural rejuvenation, the film raises provocative questions about the ownership and meaning of Aboriginal objects held in museums. Cardinal skilfully layers compelling interviews, striking imagery and rare footage of master carvers as they create a replica pole. The Haisla have fulfilled a promise to the museum to replace the original totem. Now, having honoured their end of the bargain, they await the return of the G'psgolox pole.