Tales of Ordinary Fatphobia

It's a Girl's World takes us inside the tumultuous relationships of a clique of popular 10-year-old girls. Playground bullying captured on camera shows a disturbing picture of how these girls use their closest friendships to hurt each other--with shunning, whispering and mean looks--to win social power in the group. Meanwhile, their parents struggle through denial and disbelief as they become aware of the serious consequences of this behaviour. By comparison, the tragic story of a 14-year-old girl is a stark reminder that social bullying can spiral out of control. Believing she had no other choice, Dawn-Marie Wesley killed herself after enduring months of rumours and verbal threats. This documentary shatters the myth that social bullying among girls is an acceptable part of growing up. This classroom version of It's a Girl's World is a stand-alone series of six modules with helpful on-screen text guides to assist with discussion and activities. It is intended to promote a classroom discussion around the nature of social conflict in friendships, especially among girls. Each 5-10 minute module explores a different facet of social bullying ranging from what the behaviour looks like, to the role of power and control, to the consequences for the bully, the victim and the bystander.

A Monster's Calling is a humorous animated film about the nature of personal anxieties, and body image. An "under-the-bed" monster wanders through a slumbering household, wreaking typical monster havoc. First a little girl, then an older brother, and finally the teenaged big sister. It's surprising, to both the monster and to us, what frightens each of them. A film without words.

Flawed is nothing less than a beautiful gift from Andrea Dorfman's vivid imagination, a charming little film about very big ideas. Dorfman has the uncanny ability to transform the intensely personal into the wisely universal. In Flawed she deftly traces her encounter with a potential romantic partner, questioning her attraction and the uneasy possibility of love. But, ultimately, Flawed is less about whether girl can get along with boy than whether girl can accept herself, imperfections and all. In many ways, Flawed is both an exquisite tribute to the art of animation and a loving homage to storyboarding, a time-honoured way of rendering scenes while pointing the way to the dramatic arc of the tale. Here Dorfman lets her colourful storyboards shape up into the very content of the film. The resulting effect is pure and fresh, as if we were watching the birth not only of love but of the film itself.