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Jay Cardinal Villeneuve's short documentary Holy Angels powerfully recaptures Canada's colonialist history through impressionistic images and the fragmented language of a child. In 1963, Lena Wandering Spirit became one of the more than 150,000 Indigenous children who were removed from their families and sent to residential school. Villeneuve met Lena through his work as a videographer with the Truth and Reconciliation Commission. Wandering Spirit spent six years at the Holy Angels Residential School in Fort Chipewyan, Alberta. Against a backdrop of now-empty hallways and classrooms, fragments of memory return-the shadowy figures of nuns, bits of remembered catechism, and the nightmare sounds of the basement boiler. "They call us by number," she remembers. Wandering Spirit's experience, like that of many other adult survivors, remains jagged and bright with pain and fear. But other, deeper memories also endured-of running barefoot in summer and picking berries, of stories shared, and of the warmth and love of family. Five-year-old performer Phoenix Sawan brings Wandering Spirit's recollections to vivid life, dancing through an abandoned building in easy defiance of the bleak history of the place. Filmed with elegance, precision, and fierce determination to not only uncover history but move past it, Holy Angels speaks of the resilience of a people who have found ways of healing-and of coming home again.

Au cœur de la forêt pluviale de Great Bear, avec pour toile de fond les magnifiques paysages de la Colombie-Britannique, un ancien chasseur assume son passé et envisage l'avenir avec espoir. Explorant l'évolution de la relation d'un homme avec la nature, La voie du chasseur relate la captivante histoire de Robert Moberg, un chasseur qui a troqué son fusil contre une caméra.

Alors qu'il n'avait que 22 ans, le sculpteur haïda aujourd'hui internationalement connu Robert Davidson a créé le premier totem érigé à Haida Gwaii, en Colombie-Britannique, en près d'un siècle. À l'occasion du 50e anniversaire de l'érection de ce totem, le cinéaste haïda Christopher Auchter remonte le cours de l'histoire pour revisiter cette journée du mois d'août 1969, lorsque tous les habitants du village d'Old Massett se sont réunis pour célébrer l'événement qui allait marquer la renaissance de l'esprit haïda.